"Purpendicular to me is just a start" Roger Glover said in an interview back in September 1996. At that time I wasn’t too sure if I should like that idea or not - but after listening to Abandon for about a week now, things have brightened up a lot.

As Stathis wrote in his review, Purpendicular showed a band on its way to explore strange new worlds, to seek out new sounds and melodies, to boldly go where Deep Purple haven’t gone before. Abandon is the logical step after Purpendicular - presenting five musicians who found what they searched for and simply enjoy what they do.
Of course some die-hard Ritchie Blackmore fans will stand up and shout that this is no real Deep Purple - but how about the last albums with Ritchie? The name Deep Purple stands for progression and innovation and not for reproduction. They might have lost one of their trademarks - but they found a brilliant new one - and maybe even more important - found the way back to enjoy making music - a fact that’s audible in every little note on Abandon!

Track by track

Any Fule Kno That

Unlike “Ted The Mechanic” on Purpendicular, this one’s not just a great song but also a great opener. It starts with drums and organ and continues with a hooking riff and some brilliant vocal lines, setting the controls for the heart of the album.

Almost Human

Starting with a groovy beat this song keeps what its first seconds promise - a fine rocker, with a great melodious chorus. Definitively one of my favorites.

Don’t Make Me Happy

It’s stunning how good the band catches the feeling of “When A Blind Man
Cries” in this song. A great bluesy piece of music with a heavy chorus and some nice guitar work.

Seventh Heaven

For those who had the chance to listen to the House Of Blues concerts this one’s a well known tune. A lovely intro leads into a blasting riff; a heavy track with a beautiful quite mid-section.

Watching The Sky

An untypical song for Deep Purple. It starts with a key and guitar riff to slow down
after a while - leaving Ian’s voice covered with some effects and keys in the background - just to explode into the next part.

Fingers To The Bone

THE song on this album. This one hooks up in mind and will never again let you forget it. I must hear it live!

Jack Ruby

One of the more common songs on Abandon with the big problem of being the song after
“Fingers To The Bone”. Interesting solo section.

She Was

This one sounded a bit strange the first times I listened to it, but definitively grew after some time. A interesting riff that’s hard to describe. The feeling (not the music) might be comparable to
“Soon Forgotten”.

Whatsername

Hmmm. I really can’t remember. Not a bad one, but for sure a song that didn’t touch me too deep.

69

This one starts with a lovely intro just to mutate into a catchy riff. Maybe the fastest song on Abandon, it offers a dominating guitar and hammond riff and a interesting solo section.

Evil Louie

starts a bit like “Purpendicular Waltz”, but finds it’s own live after a few seconds. A great bridge leads to a great chorus.

Bludsucker

A remake of an oldie but goodie, inspired by many fans who didn’t remember (!?) the original version during the House Of Blues tour 1997/98. This one walks a clever way between past and present. The guitar sounds different than on the other tracks and the solo parts are build upon the actual live performances. That’s how re-recordings should be.

Summary

To close this review, I give the word back to Roger Glover: “By expanding our horizons, by being more adventurous and having a bit more fun we’re actually entertaining people much more than just by churning out the same dreary standard stuff”

Well done, Purple!

Wow! Um was für einen kreativen Bremsklotz es sich bei Ritchie Blackmore wirklich gehandelt hat, wurde erst durch “Purpendicular” richtig deutlich. Zwar ist “Purpendicular” nicht der Sturm des Jahrhunderts geworden, es weht aber wieder eine herrlich frischen Brise.

Und diese Brise, die übrigens auf Steve Morse getauft wurde, scheint es fast mühelos geschafft zu haben, die letzten Schwaden des Blackmore’schen Sumpfnebels zu vertreiben.

Wovon ich hier rede? Von etwas, daß für die meisten im Rock-Biz wohl undenkbar war - Deep Purple ohne Ritchie Blackmore - immer noch Deep Purple, aber entstaubt und mit einer Frische, Unbekümmertheit und Spontaneität zu Werke gehend, die ich mir von mancher Demoband hier in dieser Ausgabe nur gewünscht hätte. Jon Lord drückt die Tasten, als sei der Leibhaftige hinter ihm her, Ian Gillan schreit sich die Seele aus dem Leib und auch Roger Glover und Ian Paice scheinen um Jahrzehnte verjüngt - verglichen mit den letzten Releases.

Wie hat Roger Glover in einem Interview gesagt? “Für mich ist “Purpendicular” nur der Start” - sollte er Recht behalten - und daran besteht spätestens seit den beiden Touren letztes Jahr kein Zweifel mehr - ist von dieser Band noch viel zu erwarten. Tausende glücklicher Gesichter können nicht irren.

Überragend (16/20)

From the pressinfo:

Deep Purple, one of the greatest acts in rock history just clebrated their 30th anniversary. So it’s exactly the right time to release an album packed with titles of the numerous band members of Deep Purple, their solo projects and other spinoff bands.

This album features classics of Deep Purple, Rainbow, David Coverdale, E.L.F., Glen Hughes, Tommy Bolin, Gillan and others.

There’s still an active fanclub and this remarkable double-CD is a must for these loyal fans."

Sometimes I sit and wonder
Sometimes I just sit
I hope you all know
What you’re doing

Anyway
Who needs this thing?

Well, I think the pressinfo isn’t that wrong… This album is for sure not for the typical “have heard some Purple tunes and want to have them on CD”-listener.

But is it for “these loyal fans” of the “still active fanclub”? The song selection and combination isn’t that uninteresting, as it offers a view into the deepest corners of things Purple. But exactly when I hear things I might be not too familiar with, I want to read some information about the songs I’m listening to, about their story and about the people involved. And at this point this album offers nothing. The two-page booklet just shows the names of the bands, the songtitles, the writing credits and the copyright information - that’s all. Not even the names of the albums the songs are taken from…

Too bad “Deep Purple: The Friends And Relatives Album” was released in January - otherwise it would have been a perfect example for a “Cashing In On Christmas”-try…

Reading the announcements of a new Deep Purple live album and video coming out, I had mixed feelings. Of course, as a fan it’s great to get as much live stuff from your favorite band as possible (at least if they still play “hand made” music), but on the other side, there was also live stuff published that better should have been locked away…

Having the same concert shot for video and audio recording added some hope to my mixed feelings - not only IMHO it’s far better to record and publish a complete show in one piece than to cut, copy and paste a so-called live album from the preselected highlights of several different shows. That’s maybe also one reason why so many people prefer a bootleg of high sound quality instead of an average official live recording.

“Live At The Olympia” was already released as a complete audio recording of the so-called “Steve Morse era” - but an official video recording was still missing.

Of course, some shows at the House Of Blues were filmed in January 1998 and one was also broadcasted as RealVideo over the internet - but whoever has really tried to WATCH such Real"Video" had to realize it’s far away from everything that is normally called “moving pictures”. [Some songs of the House Of Blues-shows finally made it to the “A Band Down Under” video, which will also be included on the upcoming TA! DVD release.]

When I heard the first notes of “Total Abandon” I felt a bit disappointed about the sound - it seemed to be too sparse for a perfect live recording. But with the show going on I realized how good the sound really is - it’s one of the few recordings where every instrument is clearly audible during each single moment.

The setlist is a typical “Morse era” setlist - some songs should have been thrown out and replaced by others - but maybe it was a intentional decision because of Purple coming to Australia for the very first time since 1985. On the other hand - wouldn’t that have been a perfect reason to re-include some songs from “The House Of Blue Light” or “The Battle Rages On” into the set?

The video starts as every ordinary rock video, showing how the stage was assembled and then… “Oh my god, why the hell THIS jacket?”. I don’t know if it’s exactly the same one - but it looks at least as the same jacket Ian Gillan was wearing during Deep Purples preformance at the “Harald Schmidt show” on German TV. Lucky me - after some songs Ian Gillan came back on stage area without it :)

The video itself is brilliant - filmed with 13 cameras, it offers a perfect mix between showing a lot of interesting details and changing camera views. Especially the camera above Jon Lord was a great idea - I was really wondering why it took that long until someone finally used that viewpoint - and I’m looking forward to the DVD release which will hopefully show more of that stunning material.

What more to say? - Take a listen/look for yourself!

Trauert auch Ihr noch der “guten, alten” Zeit nach, als Metallica ihre “Kill ‘Em All” oder Megadeth ihre “Peace Sells … But Who’s Buying?” veröffentlichten? Wenn ja, dann hätte ich hier was für Euch!

Auf “Faith Falls” bieten die vier Schweden Speed Metal der guten, alten Art, der neben der guten Gesangsarbeit von Froritman Johan Bülow haupsachlich von seinem und Joachim Perssons interessantem Gitarrenspiel lebt. Vergessen möchte ich hier auch nicht die Rythmussektion, die bestehend aus Basser Matte hiederiborg und Drummer Fred C. Lind ebenfalls einen nicht unwesentlichen Beitrag zum positiven Gesamtbild dieses Werkes beiträgt. Schön, daß es noch Bands wie Fallen Angel gibt, die nicht meinen, auch auf den völlig überladenen Death-Metal-Zug aufspringen zu müssen, und stattdessen ihren eigenen Stil beibehalten.

Super (14/20)